The Vortex series project, by the Dutch multi-disciplinary artist Ron Weijers one could review as a series of mixed media paintings expressing the suggestion to take a stand and face the reality and responsibility in life, guiding deeper into a moral message on a more personal and individual level and interacting on this point with the conscious of the viewer. A mirror called self-reflection if one would want. By painting over the collage partly with lucent acrylic white Weijers emphasizes the suggestive character of this under-layer but simultaneously unveils the hollow promise which lurks behind the pretty surface.Diversion methods as those from a stage magician or illusionist, direct the public attention to a particular statement or point, while in the mean time the real deal is out in the open but ignored.
In a continuous need to disconnect from and to question the existing on the one hand and to discover new perspectives on the other, Weijers is one of those artists constantly questioning the techniques they use, their meanings, their goals, all the while perfectly aware they shall never be any definite answer and that their work is meant to remain empirical. He’s not an abstract painter using figuration but a figurative painter who is producing abstraction.
Weijers explores the ideas of transformation and contradiction. The process of making the work is fundamental to developing a visual language through which he can communicate the feeling of experience to the viewer. His works define and redefine the meanings of process and transformation. Bringing elements of chaos and dissonance into a state of harmony, each work matures into a fully realized presence.
During the process of making the paintings, Weijers re-constructs and re-activates his materials and likens his work to that of building a relationship: a series of attempts at intimacy with the work, of fallen expectations, of failures and finally, of surrender. It is in the suspended spaces between the swaying of depicted figuration and abstraction, that his worlds take shape. His painting acts as a rhythm of color, of possibility, of realization and as a sorting structure through which the artist makes harmonies within the chaos around him. Weijers translates his creativity and visions into multi-layered paintings that reflect a characteristic abstract language of signs and shapes. Within his paintings he reveals a deeper meaning and reflects his view on contemporary issues. By reaching a state of liberation from existing patterns, the interplay of lines is dominated by the metamorphosis which conceals the evaluation of his work from the source. The spectator's fantasy is stimulated by the intuitive and specific combination of color, material and shape, thus seducing the spectator towards an alternative view on this world.
